La danza vista dai bambini | Feedback numero 3.
Nei disegni dei piccoli danzatori di Mini B Motion c’è ancora una volta una narrazione fedele ed esatta dello spettacolo che raccontano. Quello che i loro occhi vedono è onesto, diretto, essenziale. Alcuni hanno colto la specificità dello spazio scenico – la Chiesa dell’Annunziata – chi disegnando il calice e l’ostia sull’altare, e intorno le quattro performer; chi la pianta della Chiesa.
Alcuni hanno raffigurato la potenza della musica e quella del silenzio: chi ritraendo la cantante di spalle, che emette crome e biscrome sul foglio bianco; chi disegnando la performer vestita d’azzurro, che il pubblico ha ritrovato fuori dalla Chiesa alla fine dello spettacolo. Altri ancora hanno colto in maniera sintetica la danza nello spazio: chi condensando la descrizione dello spazio scenico nel simbolo della croce, chi raccontando alcune “frasi” di danza. Tutti ci restituiscono un pezzetto di spettacolo, con un “lirismo segnico” a volte davvero sorprendente.
ENGLISH VERSION
Dance seen through a child’s eyes | Feedback number 3.
A faithful and precise account of the show can be gleaned from the drawings made by the young dancers of Mini B Motion. What their eyes see is honest, direct, essential. Some of them really captured the distinctiveness of the scenographic space — the Chiesa dell’Annunziata — some depicted the chalice and communion wafers on the altar, some the space around the four performers; others the layout of the church.
A number of them alluded to the power of the music as well as the silence: a few drew the singer with her back to the audience, emitting musical notations across the white paper; some coloured the performer’s dress in blue, which the audience found outside the Church after the performance. Others had incisively focused on dance within that space: encapsulating the surroundings symbolically as a cross. Others conveyed the diverse dance ‘phrases’. Each representation offers us a partial insight on the performance, from time to time with a stunning semiotic lyricism.
Photo Gallery | Feedback from 24 August, 2017: Stabat Mater by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
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Mini B Motion Feedback | "Stabat Mater" by Patricia Okenwa
Tags: #dancingkids, Patricia Okenwa
» Dancing Kids, News, Photo Gallery, Projects » Mini BMotion Danza 2017 | Feedback of “Stabat Mater” by Patricia Okenwa
She is currently a writer, a blogger and a free-lance journalist. She graduated in philosophy in Venice, where she also worked with the Venice Biennale - D.M.T. (Dance Music Theatre), Art and Architecture for 7 years. From theatre, her first passion, she migrated towards the world of visual arts, writing reviews and critiques for almost fifteen years. After her master’s degree in Communication at Il Sole 24 Ore newspaper in Milan and, subsequently, her masters degree in Intercultural Studies at the University of Padua, she has continued to write for several different publications.
She is editor and contributor for Finnegans online and contributor for CULT-Web TV.
Her blog is: Multiculti. Just another day on earth.
She published:
Album Groggia (Curated by) Venice Council, 2010;
Interensemble. Il punto sui trent’anni (Curated by) CLEUP University Press, 2015;
“In viaggio verso dove” (in the antology: Tre d’amore, Tracciati Editore, 2014;
“La bicicletta” in the antology: Dammi Cinque, Tracciati Editore, 2017;
"Un treno nella storia. La Grande Guerra in Valsugana. Quattro storie", Ass. Culturale Platform Z, 2018.
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